Boston-based jazz pianist Kevin Harris plays a distinctive combination of traditional and contemporary music. The native Kentuckian's compositions and arrangements vary from explosive polyrhythmic pieces to introspective ballads. Harris has performed at the Blue Note (NYC and Milan), Scullers Jazz Club, Regatta Bar, Wang Theatre, Jordan Hall, Berklee Performance Center, Wally's Jazz Café, and has participated in the Boston Jazz festival of the past few years. His music contains the varied influences of Marcus Roberts, Chopin, Keith Jarrett, Danilo Perez, and Thelonious Monk.

In earlier years, Harris was invited by the Mayor of New Orleans to perform for the Alpha Phi Alpha Forum at the Mahalia Jackson Theater for the Performing Arts in New Orleans. During high school, he was selected to appear on the nationally broadcast Black Entertainment Television program Teen Summit, a showcase for US talent.

Harris' trio includes drummer Steve Langone and bassist Keala Kaumeheiwa. One of the captivating elements of the group is the level of comfort and understanding they have with one another as they dive into passionate music conversations as well as playful exchanges. Both his live performances and his recordings reflect Harris’s determination to capture his audience through thoughtful music interactions and very complex solo sections.

Kevin holds a master's degree in jazz performance from the New England Conservatory and an undergraduate degree in music education (Morehead State University, KY). At the NEC, he studied with Fred Hersch, Mike Cain, Cecil McBee, George Garzone, and Danilo Perez, and performed with George Russell, Benny Golson and Bob Brookmeyer.

After graduating from the New England Conservatory, Harris worked at defining himself and his music through partnerships with key musicians and also studying and arranging the music of jazz’s masters such as Thelonious Monk, Charlie Parker as well as elaborate classical composers as J.S. Bach and Beethoven. The continuing search for growth and new expression is clearly recognizable in his albums.<

In 2010, Harris is releasing his latest CD, ‘Chapters’ at Scullers Jazz Club and Blue Note NYC. This new album is a courageous compilation of complex dialogue and a fearless ambition to continue to explore the world of improvisation. It includes compositions by Harris and drummer Steve Langone, along with new arrangements of Thelonious Monk, John Coltrane, and Charlie Parker. Listeners of all musical tastes and genres are sure to enjoy! <

Harris also produced two other albums, 'Freedom Doxology', demonstrating Harris' ability to create an energetic interaction using odd meters and advanced harmony, a true treat for any listener. This album also displays Harris' interest in exploring and arranging Monk and Coltrane's tunes.

His first album, 'The Butterfly Chronicles', holds a number of through-composed originals that take listeners through the stories told by the engaging notes played.

Committed to the community and to getting youth involved in music, Kevin has also conducted instrumental improvisation clinics in both public and private schools throughout the USA, as well as in Italy and Poland.

In the summer of 2010, Harris has taught advanced and intermediate theory classes at Berklee College of Music. In previous years he has also held classes for jazz ensembles at the Boston Arts Academy, and for students from Brazil, India, and South Africa during the North Eastern University Fusion Art’s Program.
In 2000 he started five separate band programs with help from “Arts In Progress,” a Boston based arts organization. He also teaches private lessons from his studio in Boston. As Harris thrives on communication, his typical educational performance involves interacting with the audience. .

" Participation,” he says, "is what keeps our souls alive."

“Harris tiptoes and pirouettes across a relaxed set of ballads and lightly soulful grooves, he possesses a spare style and a gentle touch”

— Jazz Times Magazine

“Harris is known to be an “dialectic” improviser, that is, he enjoys conversating through his music with the audience while he creates on the white and black keys”

— Corriere della Sera (Milan, Italy)